Maybe I’ve been wrong all these years and my talent is not in writing, but in interviews. Nevertheless, author Todd Keisling responds to my inquiries about his writing process, and his new book, A Life Transparent, which I fucking loved.
The characters in ALT seem familiar to me. Even the Yawnings. It was eerily familiar as I read it. Why do you think that is?
I wanted the characters to be as real as possible. They’re people to whom the reader can relate in some way. I think we’ve all been in Donovan’s shoes at some point, stuck in a dead end job, wondering if that’s all there is to life. We’ve encountered people like Donovan’s co-workers. We know someone like Donovan’s brother, Michael, or Donovan’s wife, Donna. They’re the people who are living the lives they want to live, or yearn for something more but feel they’re being held back by a significant other. I tried to identify certain archetype figures and incorporate them into the story via these characters.
To me, the story’s pseudo-villain, Aleister Dullington, represents that nagging voice in the back of our minds, reminding us of our action’s consequences, pushing us in one direction even if we’re resistant to it. Even his minions, the Yawning, are manifestations of the way in which our boredom and mediocrity can consume us, thereby defining our lives for us.
I’d like to think those connections came through in the text in a subtle manner, and that what people find so unsettling or eerie about the story is their subconscious connection these things.
I realize that’s probably a convoluted, pretentious answer, but for now I’ll stick to it.
I’ll take it. You had a rough time with your first self-publishing printer. Did you take an opportunity to take another look at the writing in your novel before you republished it anew, with a professional editor?
I’ll preface this by saying my experiences with certain self-publishing outlets were my own. Your mileage may vary.
That said, yes, I did have a rough time. The book was initially published through Lulu back in 2007. Though getting set up in their system and securing distribution wasn’t expensive, procuring copies of the book was overpriced. Toward the end of my time with Lulu, I found it cheaper to buy the book from Amazon and pay my own royalty than to order directly from Lulu with the author discount.
That is completely fucked up. I wish more people knew about that kind of experience, and that there are alternatives. Go on.
In late 2009, while working on the follow-up novel, I decided to look at CreateSpace as an alternate solution. Around May of 2010, I finally started that transition process, and it turned into a huge mistake. There were a number of quality issues that led me to sever that relationship and pull the plug.
Kickstarter afforded me an opportunity to hire an editor and revise the book. I wanted to make a definitive edition, something that would be as high quality as I could make it. My editor made her first pass over the manuscript, after which I took her comments and rewrote the novel during a period of about two months. The end result was a slightly shorter, tighter work. It went from approximately 60k words to about 53k words. The story remained the same, but new scenes were added to flesh out the characters, and minor details were altered to better suit a lead-up to the sequel.
Looking back, I’m glad my editor and I spent that extra time with the book. It needed it (the manuscript was over 4 years old), and the end result is far superior to the original.
Kickstarter is a huge part of your renewed publishing effort. How did you set your budget for what your objectives were, and did you have a backup plan in case the funding didn’t come through?
The Kickstarter project saved the book. When things fell through with CreateSpace, I really didn’t know what else to do. My only other options were vanity companies like Author House and Xlibris (which seem like a total rip-off), and going to an offset printer (which is very expensive, and wouldn’t provide the distribution I needed).
I calculated the project budget by obtaining a fee schedule from Lightning Source. Then it was just a matter of doing some rough math. First I figured out how much the approximate product cost for each book would be (paperback vs. hardcover). Then I used that info to pick appropriate pledge tiers ($5, $15, $25, etc.) and the rewards associated with each. I settled on a total goal of $2000. That would be enough to pay the setup fees, editing rate, ISBN blocks, digital layout, and shipping & handling. I’m fortunate to be married to a graphic designer who knows her way around Photoshop and InDesign, so that wasn’t figured into the cost.
In hindsight, I probably should have gone for $3k. Midway through the project, I decided to go a step further and set up my own publishing house. The business fees ate into the funds. My shipping estimates for international rewards were also low. In the end, I had to go out of pocket
by a few hundred dollars. I will say that, had I not had to pay the setup costs associated with the
business side of things, everything would’ve come down to the penny from the Kickstarter funds.
What an experience! So many of us just skip the funding part, and then realize that we get out of it what we put into it.
What are you working on next?
The next book is a direct sequel to ALT. It’s called THE LIMINAL MAN, and it takes place about a year after the events of the first book. Currently, the manuscript is with my editor as she makes her first pass. We hope to go to print early next year.